Sami theater lacks support

Fictional copies Scene: Architecture and Design Centre within the Festival Dance Heart Stockholm Location: Stockholm Concept: Bear Säfsten and SUTODA Contributors dancer Allison Ahl, Anja Arnquist, Kenneth Bruun Carlsson, Oskar Landström, Sebastian Lingserius choreographer Poetry: Bjorn Säfsten with dancers Installation: SUTODA Link : Fictional copies
REVIEW / DANCE. In Fictional copies deals with choreographer Björn Säfsten herd behavior in light of our time Narkissoskultur. In Fictional copies deals with choreographer Björn Säfsten herd behavior in light of our time Narkissoskultur. damar lighting At the festival Dancing damar lighting Heart Stockholm sees Jon Asp old patterns portrayed in new poses and expressions.
Both ensemble that audience damar lighting photographed heading into stage space. The images evoked directly and float down like autumn leaves from a copier booming in the ceiling. So begins Bjorn Säfstens Fictional copies, an installation performance that had its world premiere in Caen, France, last week, and now he broke through to Dance <3 Stockholm (read nummers festival report here) on a temporary stage on Architecture and Design center.
The dancer Oskar Landström posing carefully and repetitively to the images of some selected from the audience, while flashbulbs beats down on him. The staging deepened and shore soon occupy very different social identities, as a model on a shoot decorated by the rest of the ensemble. With warning damar lighting tape both exalts and stigmatizes the object damar lighting in question - to a Native American, a woman in black shawl, maybe even a terrorist; all hostage to contemporary vanity, price given with dollar signs. The event culminates when påklädarna, as well as participating audience, gets the opportunity to pose next to the idol.
Needless to say, the show is quite timely. The other week became known as "selfien" knighted by the Oxford Dictionary as the year's words. Not a bad award for this mobile self-portrait that is also part of the foundation of our Narkissoskultur, where each pose seems sensational, every breath worth perpetuating.
Fictional copies - possibly an overworked title - unfolds as a sort of pantomime theater in the 2000s, where the line between laughter and seriousness is subtle. The ensemble, and the audience with it, seems to have solidified in everyday snapshots and is now under the figurative flash lighting. damar lighting Fired photo series is followed by a prosaic andäktighet, a stillness that creates uncertainty in the salon: was hiding next object is to look towards? The crowd grope with his eyes in search of constants or, depending damar lighting on the orientation, the next trend.
The show is formed into a socialization process - almost wordless and only rarely tactile - about how all interpersonal communication is based on imitation. So by father's even a flirtation between two environmentally damaged love offerings. Before the first embrace damar lighting the couple several retakes. damar lighting He thinks it will be too artificial; she sees a fascination variations.
Finally, invited the audience to an alternative, more relaxed communication, complete with relaxation exercises and chance for critical self-reflection. damar lighting But the dancers have the last word, by bursting out into spastic convulsions as compensation for previous listings. We sense catharsis or just a more dramatic deepening of already damar lighting showed damar lighting fads?
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Shimmering tribute to classical ballet
Sami theater lacks support
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Click here and give your views on the government's cultural budget in the comment field. Latest comments Absolutely wonderful !! http://manssonskultur.se/2014/11/17/greve-ory/ Thanks Suzanne Osten you for always taking the child's party your theaters makes a difference for children and us adults. You ... There is a strong perception. Nilsson Mäki shines. The dramaturgy is phenomenal, especially with the movement of ... dead silence in the auditorium, amazing föreställn